Dmitry Bortniansky (1751-1825)

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BORTNIANSKY, Dmitry Stepanovich (b. 1751, Glukhov, Ukraine; d. 28 September [10 October] 1825, St. Petersburg) — received his musical education in the Preparatory Musical School in Glukhov, then, from the age of seven, at the Imperial Court Chapel in St. Petersburg. Studied composition with B. Galuppi, and when Galuppi returned to Italy in 1768, Bortniansky was sent with him in order to continue his studies. Spent eleven years abroad; three of his operas were produced in Italy. At the same time wrote his first sacred works, on Roman Catholic and German Protestant texts. Upon returning to Russia was appointed kapellmeister to the Imperial Chapel and to the Court of Prince Paul, the heir to the throne. In 1796 was appointed Director of Vocal Music, and in 1801, Director of the entire Imperial Court Chapel. As Director of the Chapel and as a composer, Bortniansky had an enormous effect upon church music in 19th-century Russia. As an administrator, he expanded the influence of the Imperial Chapel far beyond the Court itself, making it the trendsetter in terms of style and taste in church singing throughout the land. Bortniansky was the first director of the Chapel who was given the right of censorship in the field of church music, a circumstance that greatly affected the direction of church music in the 19th century. Bortniansky’s sacred works, including 72 liturgical hymns (26 of them for double chorus), 45 sacred concertos (10 for double chorus), 10 Te Deum’s, the Liturgy for three voices, and eight sacred trios, were universally performed throughout the entire 19th century; many of them are sung in churches to this day. Bortniansky’s music combines elements of classicism and sentimentality, using techniques of the early classical European style. While he uses elements of Russian and Ukrainian secular song in his sacred works, he nevertheless does not exceed the limits of sobriety and good taste appropriate for the Orthodox liturgy. Bortniansky was one of the first Russian students of the Italians to turn his attention to the traditional church chants, attempting to arrange several of them polyphonically.
Omp-bo079ecoverforweb_search Dmitry Bortniansky Sing Joyfully (Concerto No. 4)

Dmitry Bortniansky

satb and soli

English

OMP-Bo079E

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Bo084_search Dmitry Bortniansky This Is the Day (Concerto No. 9)
Sey den’, yegozhe sotvori

Dmitry Bortniansky

SATB (soli)

Church Slavonic

Bo084

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V1-65_search Dmitry Bortniansky Thy Bridal Chamber
Chertog Tvoy

Dmitry Bortniansky

Kievan Chant

SATB

Church Slavonic

V1-65

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Bo033-cover-for-web_search Dmitry Bortniansky Today the Virgin Gives Birth
Deva Dnes

Dmitry Bortniansky

SSAATTBB

Church Slavonic

Bo033

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Track

Lord, Make Me Know My End

Dmitry Bortniansky

Forgiveness Sunday (2 CDs)

Male Choir of the Moscow Representation Church of the Holy Trinity-St. Sergius Monastery

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Track

Glory to God in the highest

Dmitry Bortniansky

Hymns of the Russian Orthodox Church (2 CD set)

Choir of the Church of "Joy of All Sorrowful" Icon - Moscow

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Track

Let God Arise

Dmitry Bortniansky

Forgiveness Sunday (2 CDs)

Male Choir of the Moscow Representation Church of the Holy Trinity-St. Sergius Monastery

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Track

Let God Arise

Dmitry Bortniansky

Holy Russia: Hymns of Great Lent and Pascha (2 CDs)

Church Choir of "Joy of All the Sorrowful"

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Track

My Helper and Protector

Dmitry Bortniansky

Hymns of the Russian Orthodox Church (2 CD set)

Choir of the Church of "Joy of All Sorrowful" Icon - Moscow

Track

Come, let us bless Joseph

Dmitry Bortniansky

Hymns of the Russian Orthodox Church (2 CD set)

Choir of the Church of "Joy of All Sorrowful" Icon - Moscow

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Let us offer spiritual hymns; With the voice of the Archangel

Dmitry Bortniansky

God Is With Us (3 Classic CDs in mp3 format)

Choirs of the Holy Trinity-St Sergius Monastery and Moscow Theological Academy